Buck and the Preacher

Original Release Date:  4/28/1972 (New York City)
Genre:  Western
Rating:  PG
Director:   Sidney Poitier
Studio(s):  Columbia Pictures; E & R Productions Corp.; Belafonte Enterprises
Running Time:  102 mins.

Cast:  Sidney Poitier (Buck), Harry Belafonte (The Preacher), Ruby Dee (Ruth), Cameron Mitchell (Deshay), Clarence Muse (Cudjo), Denny Miller (Floyd), Nita Talbot (Madame Esther), John Kelly (Sheriff), James McEachin (Kingston), Lynn Hamilton (Sarah), Doug Johnson (Sam), Errol John (Joshua), Tony Brubaker (Headman), Julie Robinson (Sinsie), Enrique Lucero (Chief).

*Spoilers Ahead*

Story:  After the Civil War, former slave and Union Army sergeant Buck becomes a wagon master and leads wagon trains of freed slaves from Louisiana to the unsettled territories of Kansas in search of a better life.  In order to ensure safe passage and food for his company, Buck negotiates with the Native Americans in the area. He pays them, and in turn they allow him to kill limited numbers of buffalo for food, and to pass through their land.  Night Riders, a group of violent white mercenary soldiers hired by Southern plantation owners raid the African American wagon trains and settlements to either scare them back to Louisiana or kill them.  The raiders attempt to kill Buck by setting a trap at the farm belonging to his woman Ruth, however he escapes.

While in flight he comes across a former slave and glib con man who wears clerical garb, spouts biblical verses and calls himself Preacher.  Buck forces the Reverend to switch horses with him and the disgruntled Preacher proceeds to a small boomtown.

Preacher is then accosted by the night rider’s leader, who recognizes Buck’s horse and demands to know Buck’s location. After Preacher, who introduces himself as Reverend Willis Oakes Rutherford of the High and Low Order of the Holiness Persuasion Church, convinces him that he does not know Buck’s whereabouts, the leader offers him a $500 reward for Buck, dead or alive.

Although the Preacher initially had a desire to get even with Buck, he changes his mind and decides to work with Buck after seeing the carnage the white raiders inflict on the African American travelers. Buck, Ruth and the Preacher do whatever it takes to get the wagon train west, including ambushing some of the raiders in a brothel, robbing a bank, and taking on the entire band of raiders.

Buck and Preacher are chased up a rocky hillside and a prolonged shootout ensues, during which they kill several posse members and are wounded themselves.  Just as they are about to be gunned down, the watching Native American chief sends his warriors to help them. The surviving posse members are either killed or frightened off.

Later, the settlers survey the beautiful valley before them then bid farewell to Buck, Ruth and Preacher, who ride north toward their own destinies.

Notes:  After the opening credits, a written statement describes the plight of freed slaves attempting to start new lives after the Civil War and dedicates the film to “those men, women and children who lie in graves as unmarked as their place in history.”  Buck and the Preacher marked the first film collaboration of longtime friends Poitier and Belafonte, and several reviewers compared the film to the 1969 hit Western Butch Cassidy and the Sundance Kid, which starred Paul Newman and Robert Redford. Other critics commented positively on Poitier’s direction and the unusual presentation of African-American settlers and their interactions with Native Americans.

Although the August 1971 Look article stated that Poitier and Belafonte hoped the film would “be successful enough to repeat,” a sequel to Buck and the Preacher was never produced. Poitier and Belafonte next worked together on the 1974 comedy Uptown Saturday Night, which was also directed by Poitier.  Sources:  tcm.com; burnsfilmcenter.org; Wikipedia.  Photo Sources/gifs:  daarac.org; photobuste.blogspot.com; cinemaparidiso.co.uk.

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The Affair

Release Date:  10/14/1995
Genre:  Drama
Rating:  R
Director:  Paul Seed
Studio(s):   Black Tuesday Films, HBO Pictures, Home Box Office (HBO)
Running Time:  105 mins.

Cast:  Courtney B. Vance (Travis Holloway), Kerry Fox (Maggie Leyland), Ciarán Hinds (Edward Leyland), Leland Gantt (Barrett), Ned Beatty (Colonel Banning), Bill Nunn (Sgt. Rivers).

Story:   Black American troops stationed in war-torn England prepare to fight the Germans in Europe.

One soldier, Travis befriends Maggie, an English woman whose husband, Edward, is fighting overseas. Lonely and confused by her husband’s infidelities, Maggie soon finds comfort in the arms of Travis.

When Edward suddenly returns home from battle, he discovers his wife’s secret romance which unleashes his rage and fuels his desire for punishment and retaliation. In a time of war, punishment can be swift and revenge can be taken regardless of the law. As a result, Travis finds himself on trial for his life. The only way Travis can be saved is if Maggie betrays her husband, their family and the world they have built together.

Sources:  tcm.com; Wikipedia.  Photo Sources:  moviepostershop.com; memorabletv.com; truetvmovies.net; videodetective.com.

The Wrong Valentine

Release Date:   2/11/21; Lifetime Movie Network
Genre:  Drama
Rating:  NR
Director:  David DeCoteau
Studio(s):  Hybrid, Lifetime Movie Network

Cast:  Vivica A. Foxx, Mariah Robinson, Michael Bergin and Evan Adams.

Story:  After her father’s passing, Emily tries to put herself out there.  A bright student, she doesn’t have the easiest time making friends. With the help of Ms. Connelly, her senior year is in full swing, but she has yet to find a guy, let alone a Valentine of her very own. As luck would have it, the new boy at school has his eye on Emily and delivers her the annual school gift of a candy cupid. Could he be the one or does he have some ulterior motives as well?  Source(s):  msn.com; mylifetime.com.  Photo source(s):  thecinemaholic.com; msn.

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The Duke Is Tops

Release Date:  9/1/1938
Black & White
Genre:  Drama/Musical
Directors:   William Nolte, Ralph Cooper (uncredited)
Studio(s):   Million Dollar Productions, Million Dollar Productions, Norman Distributing Company
Running Time:  72 mins.

Cast:  Ralph Cooper (Duke Davis), Lena Horne (Ethel Andrews), Laurence Criner (Doc Dorando), Monte Hawley (George Marshall), Neva Peoples (Ella), Vernon McCallum (Mason), Edward Thompson (Ferdie Fenton), Johnny Taylor (Dippy, ‘Prince Alakazoo’), Ray Martin (Joe), Guernsey Morrow (Ed Lake), Charlie Hawkins (Sam, the Stage Manager).

Details:  A producer’s romance with his star ends when the latter is offered a better job in New York.

Story:   Duke Davis, singer Ethel Andrew’s sweetheart, manager, and producer, finds himself in a dilemma when George Marshall, a New York booking agent, offers Ethel an opportunity to leave the show “Sepia Scandals,” which is touring small towns, for New York City. Because Marshall has stipulated that Ethel must go without Duke, Duke anguishes over whether to encourage her departure, but he eventually consents to it when Marshall promises to launch her career.  Ethel initially rejects Marshall’s offer when she realizes that she will be separated from Duke, but when Duke tells her that he has sold their contract for a personal profit, she is heartbroken and changes her mind. Later, Ethel’s friend Ella discovers that Duke, knowing that Ethel would never leave him willingly, intentionally angered her in order to force her to do what he thought was best for her. Ella agrees to keep his good motives a secret from Ethel.

While Ethel’s New York stint gets off to a successful start, Duke finds himself destitute and desperately seeks backing for his vaudeville show from booking agent Ed Lake. Lake, however, says that vaudeville is dead and rejects Duke’s proposal. Although Duke later convinces Mr. Mason to produce his new show, the show is a failure and Duke winds up working as a barker for Doc Dorando’s traveling medicine show. Duke injects some much-needed showmanship into Dorando’s pitch and, along with Dippy, an unemployed property man, they go on the road with their product, “Doc Dorando’s Universal Elixir.”

A year passes then one day, while listening to the radio, Duke hears that a show in which Ethel was appearing has flopped and he rushes to New York to be with her. Ella tells Ethel the truth about Duke, and when Duke arrives in New York, he meets with Ferdie Fenton, producer and club owner, who has been blamed for rushing Ethel’s career and causing her failure. Duke soon secures permission from Fenton to create a new show and he and Ethel appear on stage together, reunited at last.

Notes:  The Duke Is Tops marked the film debut of Lena Horne, then just 20 years old, who had yet to develop the smooth, classy style she would distinguish herself with in her later films. A Variety reviewer called her “a rather inept actress, but something to look at and hear.” A modern source claims that Lena Horne replaced Nina Mae McKinney as the female lead in the middle of filming when McKinney became ill. Modern sources also note that the film was shot on a shoestring budget in ten days, and that Horne’s husband refused to let her attend the NAACP charity premiere of the film in Pittsburgh, PA because she was never paid for her work in the picture. 

The Duke Is Tops was re-released in 1944 as The Bronze Venus, with Lena Horne’s name appearing above the title.  Sources:  tcm.com; IMDB; Wikipedia; Photo Sources:  Daarac.org; entertainmenttime.com; moviesfortheblind.com.

Movie:

The Liberation of L. B. Jones

Original Release Date:  3/18/1970
Genre:   Drama
Rating:  R
Director:  William Wyler
Studio(s):  Liberation Company, Columbia Pictures
Running Time:  102 mins.
Cast:  Roscoe Lee Browne (L.B. Jones), Yaphet Kotto (Sonny Boy Mosby), Lola Falana (Emma Jones), Lee J. Cobb (Oman Hedgepath), Lee Majors (Steve Mundine), Anthony Zerbe (Willie Joe Worth), Arch Johnson (Stanley Bumpas), Barbara Hershey (Nella Mundine), Zara Cully (Mama Lavorn), Brenda Sykes (Jelly), Fayard Nicholas (Benny).

Details:  Based on Jesse Hill Ford’s 1965 novel The Liberation of Lord Byron Jones. The novel, in turn, was based on events that happened in a Southern town where the writer lived. After he wrote the book, he was verbally attacked for writing about the events that had occurred in his town.

*Spoilers Ahead*

Story:  Steve and Nella Mundine arrive in Somerton, Tennessee, where Steve is to join the law firm of his uncle Oman Hedgepath.  Arriving on the same train is Sonny Boy Mosby, a young black man bent on avenging a childhood beating inflicted by white policeman Stanley Bumpas.  Hedgepath is persuaded by Steve to accept the case of Lord Byron Jones, a wealthy black funeral director who is seeking a divorce from his considerably younger wife Emma, alleging she had an affair with white police officer Willie Joe Worth, whom he suspects is the biological father of her unborn child.

Emma contests the suit, hoping to receive a settlement sufficient enough to allow her to maintain her lavish lifestyle.  Fearful of scandal, Worth demands that Emma not contest the divorce and severely beats her when she refuses to cooperate. Then, with the aid of fellow officer Stanley Bumpas, Worth arrests Jones on false charges after he refuses to drop the suit. Jones escapes the officers and  they pursue him into a junkyard.  They eventually corner him and he is handcuffed.  With dignity Jones refuses to cooperate even at gunpoint, and Worth shoots him, with Bumpas casually watching. Worth, initially cool, is suddenly horrified by what he has done but Bumpas coldly hangs Jones’ body on a wrecker hook.

Bumpas then castrates Jones and removes the dead man’s shoelaces to make it look like it was done by other blacks in a revenge killing. Initially another black man and Emma are forced to confess to the murder, but Hedgepath quickly discovers that the man was in jail at the time of the murder and that the confessions were coerced.  A remorseful Worth confesses but Hedgepath and the town mayor decline to prosecute the murderers. Sonny Boy Mosby avenges Jones’ murder by pushing Bumpas into a harvester, making it appear to be an agricultural accident. Despairing of southern justice, the Mundines leave town, departing on the same train as Sonny Boy Mosby.

Notes:  Lola Falana was nominated for the Golden Globe Award for New Star Of The Year – Actress, the film marked her debut on the big screen.  Also marks the film debut of Brenda Sykes.  Sources:  IMDB; tcm.com; daarac.org; quadcinema.com; Wikipedia.

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Sister, Sister

Release Date:  6/7/1982
Genre:  Drama
Rating:  NR
Director:  John Berry
Studio(s):  National Broadcasting Company (NBC), 20th Century Fox Television,
Running Time:  98 mins.

Cast:  Diahann Carroll (Carolyne Lovejoy), Rosalind Cash (Freida Lovejoy-Burton), Irene Cara (Sisina ‘Sissy’ Lovejoy), Paul Winfield (Eddie Craven), Dick Anthony Williams (Reverend Richard Henderson), Robert Hooks (Harry Burton), Kristoff St. John (Danny Burton).

Details:  Television movie written by Maya Angelou, tells the story of three sisters who come together to decide the fate of their family home after the death of their revered father.

Story:  The story starts out in a small town in North Carolina with Carolyne Lovejoy, a schoolteacher, singing in the choir at the local church. It is later revealed that she is having an intense affair with the pastor, Reverend Henderson who is also the state senator-elect. Carolyne later comes home to find her younger sister (who she raised after the death of their parents), 20-year-old Sissy, with her boyfriend, Johnny. It is expressed that Sissy is an aspiring ice skater, but Carolyne wants her to follow in her footsteps and become a schoolteacher.

Their battle continues throughout the movie. Later their estranged sister, Frieda, who has been living 13 years in the slums of Detroit, shows up with her 12-year-old son, Danny. They decide to stay for a while because Danny has had some trouble with the law and Frieda wants to give him a fresh start. While trying to co-exist in the same house, the sisters’ lives turn upside down. Frieda suggests they sell their childhood home.

Frieda is the troubled black sheep, while Carolyne is knocked off her pedestal when her minister lover succumbs to Frieda’s seduction. Sissy learns that their father never wanted another daughter, but had hoped she would be a boy ad that their mother had tried to abort her. After a physical altercation with Frieda and Carolyne, Frieda and Sissy decided to leave. The movie ends with Sissy leaving for New York and Frieda deciding to stay and work things out with Carolyne.

Notes:  Although the movie was filmed in February 1979, NBC chose to withhold it until June 1982, when it aired during primetime. According to JET, Fred Silverman, who was the head executive of the network at the time, decided not to air the film because it did not match his preferred formats of “action-packed or comedy shows,” and that the film’s focus on the intense personal dramas of middle-class blacks would not appeal to white sensibilities of the late 1970s.

The film won the NAACP Image Award for Outstanding Television Movie, Mini-Series or Dramatic Special. Cara won the NAACP Image Award for Outstanding Actress in a Television Movie, Mini-Series or Dramatic Special for her role.  Sources:  IMDB; Wikipedia.  Photo Sources:  hornsection.blogspot.com; pintrest.com; daarac.org.

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