Roxanne Roxanne

Release Date:  3/23/18; Netflix
(2017 – original release date)
Genre:  Drama/Biography
Rating:  NR
Running Time:  100 mins.
Director:  Michael Larnell
Studio(s):   Forest Whitaker’s Significant Productions, IamOTHER Entertainment, Neon.
Cast:  Chanté Adams (Roxanne Shanté), Mahershala Ali (Cross), Nia Long (Ms. Peggy Gooden), Elvis Nolasco (Ray), Jermel Howard (Roland), Eden Duncan-Smith (Latifa), Tonye Patano (Ms. Denise), Sean Ringgold (Keith), Taliyah Whitaker (Young Roxanne Shanté).

Story:   The film, set in the 1980s, tells the story of a 14-year-old rap prodigy from New York City’s Queensbridge Projects named Lolita Shante Gooden, who would go on to become the famed rapper hip hop fans know her as: Roxanne Shanté.

Shanté’s career kicked off after meeting fellow rapper Tyrone Williams, D.J. Mr. Magic and record producer Marley Marl outside the Queensbridge housing project, the same complex that produced rap legends like Nas and Mobb Deep.  She gained commercial success after teaming up with Marl to produce a response track to U.T.F.O.’s popular song “Roxanne, Roxanne.” Her version, which legend has it was free-styled in Marl’s apartment in between laundry loads, was titled “Roxanne’s Revenge” and became an instant hit.  Sources:  Black Film; Essence.  Photo Source:  Sundance.org.

Trailer:

Mudbound

Release Date:   2017
Genre:  Drama
Rating:  R
Running Time:  134 mins.
Director:   Dee Rees
Studio(s):   Armory Films, Black Bear Pictures, Elevated Films (II), MACRO, MMC Joule Films. Zeal Media.
Cast:  Jason Mitchell (Ronsel Jackson), Rob Morgan (Hap Jackson), Mary J. Blige (Florence Jackson), Carey Mulligan (Laura McAllan), Jason Clarke (Henry McAllan), Garrett Hedlund (Jamie McAllan), Jonathan Banks (Pappy McAllan).

Story:  A big-screen adaptation of Hillary Jordan’s 2009 novel of the same name, which is set in 1946 in the wake of World War II, the story follows the fates of two very different families that collide while struggling to make their dreams come true in the Mississippi Delta.  When two celebrated soldiers return home, their unlikely friendship complicates the already fraught relationship between the families.  The official Sundance synopsis reads:  set in the post–World War II South, the story follows two families who are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad.  Source:  Shadow and Act.

Trailer:

Critics’ Connection: Dope

Dope photoStory:  Malcolm is a high school geek with a high-top fade, carefully navigating life in The Bottoms, one of the toughest neighborhoods in Inglewood, California. He and his fellow outcasts share a voracious appreciation for all things ’90s hip-hop, opting to sport Cross-Colours and Z. Cavariccis at the risk of being clowned at school. He dreams of attending Harvard, but first he has to make it home every day. When a drug dealer takes a shine to Malcolm and invites him to his birthday party, Malcolm’s crew is swirled into a hilarious blender of offbeat characters and bad choices where redemption can only be found in Bitcoin. Source: Sundance.org.

What the critics are saying about Dope:

The Hollywood Reporter:  It’s not every film that can turn the concept of a slippery slope into a repeatedly used and hilarious punch line, and [Rick] Famuyiwa’s dialogues are often not only funny but also sharp and smart. A notable exception is the way race plays a role in two scenes, the first a discussion of why white people can’t use the N-word — which the black characters here use more often than articles and verbs — which is so drawn out (terminating in a weak and literal punch line) that it starts to feel like sermonizing, while the second is the way race factors in to Malcolm’s Harvard application essay, which is certainly truthful but lacks any kind of argument around it that would demonstrate his innate intelligence.

The decision to also make the protags play in their own music group feels a little too much like a movie conceit and their songs, written by Pharrell Williams, will no doubt help market the film but don’t feel like they could’ve been written by these three kids, however brainy.  That said, the film’s overall energy, and performances are spunky enough to almost always temporarily suspend disbelief when required.  See the full review at hollywoodreporter.com.

/Film:  The film has a lot to say about growing up black in a bad neighborhood with bigger dreams than can be afforded. It’s about subverting expectations and staying true to yourself in the most impossible no win situation. The film provides an interesting portrait of “The Bottoms” area of Inglewood California, filled with gangsters and drug dealers.  Dope is much deeper than its pop culture throwback shell, featuring high school characters with complexity and authenticity. While the story is linear for the most part, the screenplay offers us a few flashbacks which sometimes further connect the characters and stories like a well constructed puzzle.  Dope is charming and poignant — an incredibly relatable urban dramedy that works on almost every level.  See the full review at slashfilm.com.

Mashable:  Dope is exactly what the title says it is.  Funky fresh, funny, complex and uncompromising, Dope — which made its world premiere at the Sundance Film Festival — is going to be one of those Sundance movies that, if it finds a good home, will be watched, rewatched, quoted, referenced and beloved for years to come.

Existing somewhere between Juice, Ferris Bueller’s Day Off and Spring Breakers, get ready for three main characters to unapologetically root for through a series of outlandish twists and turns that are somehow utterly plausible.  With a mid ’90s hip-hop color palette and soundtrack to match, Dope is a wild bike ride through the streets of Inglewood, California, seen mostly through the eyes of high school senior Malcolm that bombards the screen with vivid characters and crazy choices.  See the full review at mashable.com.

Note:  The content of this post is adapted from the primary sources as referenced above.  Click on the links to read the original reviews in their entirety.

Dope

DopeRelease Date:  1/24/15 (Sundance Film Festival)
Genre:  Comedy
Rating:  NR
Running Time: 115 mins.
Studio(s): Forest Whitaker’s Significant Productions, IamOTHER Entertainment,
Revolt Films, That’s Dope.
Director: Rick Famuyiwa

Cast:  Shameik Moore (Malcolm), Zoë Kravitz (Nakia), Forest Whitaker (Narrator), Blake Anderson (Will), Tony Revolori (Jib), Kiersey Clemons (Diggy), Keith Stanfield (Bug), Rick Fox (Councilman Blackmon), Kimberly Elise (Lisa), Roger Guenveur Smith (Austin Jacoby), De’aundre Bonds (Stacey).

Story:  Malcolm is a high school geek with a high-top fade, carefully navigating life in The Bottoms, one of the toughest neighborhoods in Inglewood, California. He and his fellow outcasts share a voracious appreciation for all things ’90s hip-hop, opting to sport Cross-Colours and Z. Cavariccis at the risk of being clowned at school. He dreams of attending Harvard, but first he has to make it home every day. When a drug dealer takes a shine to Malcolm and invites him to his birthday party, Malcolm’s crew is swirled into a hilarious blender of offbeat characters and bad choices where redemption can only be found in Bitcoin. Source: Sundance.org.

Trailer:

 

Memphis

Memphis PosterRelease Date:  1/13/15 (DVD); 1/17/14 (Sundance Film Festival)
Genre:  Drama
Rating:  NR
Running Time: 78 mins.
Director:  Tim Sutton

Cast Willis Earl Beal, Constance Brantley, Larry Dodson, Devonte Hull, Lopaka Thomas.

Story:  A strange singer with God-given talent drifts through his adopted city of Memphis with its canopy of ancient oak trees, streets of shattered windows, and aura of burning spirituality. Surrounded by beautiful women, legendary musicians, a stone-cold hustler, a righteous preacher, and a wolf pack of kids, the sweet, yet unstable, performer avoids the recording studio, driven by his own form of self-discovery. His journey quickly drags him from love and happiness right to the edge of another dimension.

Details:  According to Matt Zoller Seitz of Rogerebert.com, Memphis is a quasi-documentary drama about the creative struggles of Memphis blues musician and poet Willis Earl Beal, who’s playing a version of himself here. Beal is a superficially compelling character, in his passive and medicated way. He seems to be blocked. His label wants him to finish his new album but he seems to have fallen down a sort of tinkering spiral, endlessly reworking his work. Is he a perfectionist, or is he procrastinating? When his bandmates press him for more specific directions and grow irritated by his vagueness, are we seeing a misunderstood genius struggle to make himself understood by lesser talents, or a man whose gifts don’t really match his mystique?  Read the full review here:  http://www.rogerebert.com/reviews/memphis-2014
Source(s): IMDB, rogerebert.com.

Trailer:

 

Dear White People

Dear White PeopleRelease Date:  2/3/15 (DVD); 10/17/14 (Theatrical Release)
Genre: Comedy/Drama
Rating: Not Available
Running Time: 100 mins.
Studio:  Duly Noted/
Homegrown Pictures
Director: Justin Simien

Cast:  Tyler James William (Lionel Higgins), Tessa Thompson (Samantha White),  Teyonah Parris (Colandrea Conners), Brandon P. Bell (Troy), Kyle Gallner (Kurt), Dennis Haysbert (Dean).

Story:   Dear White People follows the stories of four black students at an Ivy League college where a riot breaks out over a popular “African American” themed party thrown by white students. With tongue planted firmly in cheek, the film will explore racial identity in “post-racial” America while weaving a universal story of forging one’s unique path in the world. (Source(s): comingsoon.net; official site, dearwhitepeoplemovie.com).

Trailer 1:

Trailer 2:

Teaser