B. B. King Biopic/The Thrill Is On

On October 25th, Variety disclosed that an official biopic of iconic blues musician B.B. King is going into pre-production in 2021, Vassal Benford, chairman of King’s estate, tells Variety. This is a separate project from The Thrill Is On, which is a drama about King’s friendship with drummer Michael Zanetis starring Wendell Pierce as King.

Confusion first arose when The Wire and Selma actor Pierce announced that he would play King via Twitter on Oct. 19 (2020). “We are official. Preparation has begun on a film where I will be honored to play the great B.B. King,” Pierce wrote. This led many to assume he would be playing King in a biopic retelling the late singer-guitarist’s life story.  Pierce expanded on the situation on Oct. 22, writing: “The Estate of B.B. King has requested I clarify the film The Thrill Is On is not a biopic in the traditional sense. It is a dramatized version of a real-life friendship story in the spirit of the film Round Midnight.”

B.B. King’s estate has clarified that there are two separate projects in the works concerning King — “The Thrill Is On,” which is not associated with the estate, and an upcoming biopic of King’s life, which is being produced by the estate. Though Benford says King’s estate has considered Pierce to play King in the biopic, they are looking at a number of other actors for the role, including “Saturday Night Live” star Kenan Thompson. A major director is also in talks to helm the upcoming biopic, according to the estate.  The official biopic is going into pre-production in 2021

“I am not qualified to write a biopic of Mr. King’s life, but this decade of his life is a chapter I lived with him,” Zanetis told Variety. “Our friendship flourished until our last visit in 2011.”

Though The Thrill Is On is not associated with or produced by King’s estate, Benford says that the estate does not disapprove of the film.  Benford told Variety, the estate wants it to be clear that the film announced by Pierce is not a biopic and the estate does not want there to be any confusion as to the nature of each separate project.  One is a docudrama, and the other is the official B.B. King biopic approved by corporate management of the B.B. King estate and trust as a part of B.B. King’s legacy initiative.

In a statement previously released by representatives for The Thrill Is On, the project is described to be a “friendship film.” The movie tells the inspiring true story of how a chance meeting between Zanetis, a young musician, and B.B. King in 1980 led to King being the first blues artist to receive a star on the Hollywood Walk of Fame in 1990.  The title is a play on one of King’s biggest hits, “The Thrill Is Gone.”

Pierce has been attached to star in the film produced and co-written by Zanetis since 2009, but the film — then titled “B.B. King and I” — ran into legal trouble in 2012 when Zanetis sued King after receiving a cease-and-desist order from King’s representatives.  However, both Pierce and Zanetis have said that King gave them his blessing to make the film before his death in 2015.

On October 29th, Variety wrote that four former members of B.B. King’s band — Walter Riley King, James “Boogaloo” Bolden, Michael Doster and Tony Coleman — will portray themselves in the The Thrill Is On.  “We’re honored to have these extraordinary musicians join us in our tribute to Mr. King. They traveled the world with him for decades and continue to keep his legacy alive,” stated Zanetis.

After serving in World War II, Riley B. King, better known as B.B. King, became a disc jockey in Memphis, Tennessee, where he was dubbed “the Beale Street Blues Boy.” That nickname was shortened to “B.B.” and the guitarist cut his first record in 1949. He spent the next several decades recording and touring, playing more than 300 shows a year. An artist of international renown, King worked with other musicians from rock, pop and country backgrounds. He released over 50 albums and won his 15th Grammy Award in 2009. King died in his sleep in Las Vegas in 2015, leaving behind an enduring musical legacy.  Source(s):  Variety; biography.com; Photo Source(s):  bluegr.com; igormiranda.com.

 

The Crimson Skull

Release Date:  4/20/1922
Genre:  Action
Director:  Richard E. Norman
Studio(s):  Norman Film Manufacturing. Co.
Running Time:  Unknown

Cast:  Anita Bush (Anita Nelson), Lawrence Chenault (Bob Calem), Bill Pickett (Bill), Steve Reynolds (Bob’s Sidekick, billed as The One-Legged Marvel).

Story:  When the peaceful black city of Boley, Oklahoma falls under the control of an outlaw known as “The Skull” and his band of henchman, “The Terrors,” the Boley Law and Order League offers a one thousand-dollar reward for the Skull’s capture, dead or alive. The League also forces the resignation of the sheriff, a Skull puppet, and gives the job to the respected Lem Nelson, a cattleman and owner of the Crown C ranch. Bob Calem, the Crown C foreman, volunteers to infiltrate the Skull’s gang in order to hasten the criminals’ capture. When Steve Reynolds, a one-legged cowboy, and Anita Nelson, Lem’s daughter, as well as Bob’s sweetheart, are kidnapped by the gang, Bob helps them to escape.  He is accused of being a traitor, but the gang cannot decide whether Bob is guilty or innocent, so they leave his fate to the test of “The Crimson Skull,” in which one drop of blood will determine whether he lives or dies.

To rid the range of a gang of outlaws that are rustling cattle and robbing the banks and stagecoaches, cowhand Bob Calem, working on the gang-leader’s superstitions, dons a skeleton-costume to strike fear into the gang.

Notes:  Norman Film Manufacturing Co. was located in Jacksonville, FL. According to its pressbook, the film was produced in “the All-Colored City of Boley, Okla.” Lawrence Chenault, who played three roles, including the film’s hero and villain, had earlier been a member of the Anita Bush Dramatic Stock Company. Bush, who made her motion picture debut in The Crimson Skull, started acting in New York theater in 1903, and following her success at the Lincoln Theater in Harlem, became known as “The Little Mother of Colored Drama.” The pressbook stated that the film’s “action and story [are] on a par with white productions with the drawing feature of a cast composed entirely of colored artists. (There is not a white character in it.) And a story free from the usual mimicry of the colored man; free from ‘race problems’ that engender friction.” Publicity material stated that the cast included “30 colored cowboys.”  Source(s):  TCM; DAARAC.org; IMDB.

The Call of His People

Details
Year of Release:   7/15/1921
Genre:  Drama
Rating:  N/A
Runtime:   Unknown
Black & White
Silent
Studio:  Reol Productions Corp.

Cast
George Edward Brown
Edna Morton
Mae Kemp
James Steven
Lawrence Chenault
Mercedes Gilbert
Percy Verwayen
 
Synopsis

Nelson Holmes, an African American who has passed for White for twenty years, has advanced from office boy to the position of general manager at the Brazilian-American Coffee Syndicate.  One day Nelson is visited by James Graves, a boyhood friend from the South who is looking for a job as a Spanish correspondent. Fearing that his secret will be discovered, Nelson urges Graves to pose as a Spaniard, but Graves refuses. Finally Nelson agrees to make Graves his private secretary if he will remain quiet about Nelson’s true race.  Graves accepts, though he feels contempt for Nelson.  Deeply affected by seeing Graves again, Nelson pays a visit to Graves’ sister Elinor, who was his childhood sweetheart. Elinor is cold to him, angered by his denial of his own people. When a representative of the Santos Company, a competitor who is trying to put the Brazilian-American Coffee Syndicate out of business, offers Nelson a bribe to destroy some contracts that could ruin the company, Nelson indignantly refuses.  Their conversation is overheard by Beauregard Stuart, Nelson’s co-worker who was vexed that Nelson had received the promotion to general manager rather than him. That night, Graves overhears Stuart make a deal to get the contracts for the Santos representative. As Stuart is about to take the contracts from the company safe, Graves attacks him, and during their struggle, retrieves the contracts. After Graves runs off, Nelson returns to the office, and Stuart mistakes him for his attacker, then accuses him of the theft. The next morning, as Stuart is telling their boss, Lionel Weathering, that Nelson stole the contracts, Elinor arrives with the contracts and a letter from Graves, which proves Stuart’s guilt.  Nelson, extremely grateful for Elinor and Graves’ loyalty, finally informs his boss that he has been passing for white. Weathering assures Nelson that it is the quality and not the color of a man that counts, and Nelson asks Elinor for her hand in marriage, once again proud to be black.

Notes

According to Early Race Filmmaking in America, the movie was based upon the serialized novel The Man Who Would Be White, by Aubrey Bowser.  Bowser’s pedigree featured prominently in the studio’s advertising for the film which states, “Aubrey Bowser…of the colored race and a graduate of Harvard University.”  George P. Johnson described the film as “Mixed cast of white and colored.  Expensive picture, and very good in all departments.  Probably best Negro picture made.  However little high class.”

Reol’s advertising team appealed to racial pride to bring potential moviegoers to the theaters:

MOTHERS — FATHERS
DAUGHTERS – SONS:

If there is anything more binding between you and your Race than the color of your skin or the texture of your hair.  Or those few drops of Negro blood that cannot be detected In either; if you are really interested in our aims, our Achievements and our stations in life, don’t let your work, Scruples, age or anything else keep you from seeing

“THE CALL OF HIS PEOPLE”
Or
“THE MAN WHO WOULD BE WHITE”

Such advertising clearly touted the film as an example of black independent cinema, particularly since almost no mainstream films of this era considered the physiological aspects of race or the dreams and goals of the African-American population.  In his summary of the film, J.A. Jackson of Billboard, a mainstream white industry publication, wrote that it reflects “the ever present anxiety that is associated with the practice that has become so prevalent.”  This “anxiety” alluded to white fear of light-skinned African Americans passing for white.

Filmed at the Irvington-on-the-Hudson, NY estate of Black millionairess, A’Lelia Walker (daughter of Madam C. J. Walker).  Sources:  TMC; Early Race Filmmaking in America by Barbara Lupack (Editor); Daarac.org.

The Fighting Shirley Chisholm

Status:  In Development
Genre:   Biography
Director:   Cherien Dabis
Studio(s):  Unknown
Cast:  Danai Gurira

Details:  On November 11, 2020, Entertainment Weekly reported that Danai Gurira is going from fighting zombies to fighting the status quo in politics.  The Walking Dead star has landed the starring role in The Fighting Shirley Chisholm. The film tells the story of the first Black congresswoman Shirley Chisholm and her groundbreaking 1972 presidential campaign.

While The Fighting Shirley Chisholm follows the titular political figure’s historical run for office as the first woman and the first person of color to seek a major party’s presidential nomination, it is not considered a biopic. The movie instead will focus on Chisholm’s campaign and the wide-ranging impact it had on America’s youth at the time, as well as how “her efforts to gain enough delegates to speak for the people at the Democratic Convention” challenged the political status quo.

Back in 2018, Viola Davis was set to star and executive produce the film when it was at Amazon Studios. And more recently Uzo Aduba won an Emmy for playing Chisholm in FX’s Mrs. America.  Gurira currently stars as Okoye in the Marvel Cinematic Universe and is set to reprise the role in the upcoming Black Panther sequel.  Source(s):  ew.com; Variety.  Photo Source(s):  nytimes.com; blackchristiannews.com.

Wendy Williams: The Movie

a/k/a Wendy Williams:  The Hot Topic

Release Date:  1/30/21; Lifetime
Genre:   Biography
Rating:  NR
Director:  Darren Grant
Studio(s):  Front Street Productions
Running Time:  Unknown

Cast:  Ciera Payton (Wendy Williams), Morocco Omari (Kevin Hunter), Rothaford Gray (Thomas Sr. Williams), Liza Huget (Shirley Williams).

Story:  Talk show host Wendy Williams executive produces the biopic on her life, revealing the highs and lows she has experienced throughout the years. Wendy has made herself the go-to source for great celebrity dish on her hit talk show, The Wendy Williams Show, but recently the spotlight has turned towards her. The authorized project provides a revealing look at Wendy’s journey, from her scrappy upstart days in urban radio to the success of her own syndicated talk show. Despite all the naysayers and obstacles Wendy encountered throughout her life, her strength and determination have allowed her to thrive. Ciera Payton takes on the lead role while Morocco Omari stars as Wendy’s ex-husband Kevin Hunter.

Details:  After years of being in limbo, a biopic on Wendy Williams’ life will finally air in January.  The film will detail Williams’ ups and downs – from her start in urban radio to her highly successful syndicated talk show. It will also take a look into her private persona, discussing the joy and humiliation she’s experienced throughout her life.  The Oval’s Ciera Payton will portray Wendy and P-Valley’s Morocco Omari has been tapped to depict her ex-husband Kevin Hunter in Lifetime’s forthcoming biopic about the talk show queen.   Source(s):  Mylifetime.com; BET.com; IMDB; 9news.com; urbanbridgez.com.

Trailer:

The Sport Of The Gods

Release Date:  4/23/1921
Genre:  Drama
Rating:  NR
Director:  Henry J. Vernot
Studio(s):  Reol Productions Corp.
Running Time:  Unknown
Silent
Black & White

Cast:  Elizabeth Boyer (Kitty Hamilton), Edward R. Abrams (Jim Skaggs), George Edward Brown (Joe Hamilton), Leon Williams (Berry Hamilton), Lucille Browne (Fannie Hamilton), Lindsay J. Hall (Maurice Oakley), Jean Armour (Julia Oakley), Stanley Walpole (Francis Oakley), Walter Thomas (Thomas), Lawrence Chenault (Sadness), Ruby Mason (Mrs. Jones), Edna Morton (Hattie Sterling).

Story:  The story deals with a Black man who is unjustly sent to prison to save the reputation of his white employer’s son, a gambler.  His wife, son and daughter, move to New York rather to escape the scorn and gossip of their neighbors in Virginia. The son associates with evil companions and the daughter becomes a singer in an underworld cabaret where her character is placed in jeopardy. The mother, having been convinced that a prison sentence is the same as a divorce, is persuaded to marry a man who has schemed to get her money. The husband is finally released from jail after the real criminal confesses and he goes to New York to join his family, only to find his wife married. After numerous complications, all ends well.

Notes:  Based on the novel The Sport of the Gods by Paul Lawrence Dunbar.  Source(s):  TCM; DAARAC.org.