For His Mother’s Sake

Year of Release:  1922
Genre:   Drama
Rating:   N/A
Runtime:   Unknown
Black & White
Studio(s):  Fidelity Pictures Co., Blackburn-Velde Pictures
Director:   Unknown

Jack Johnson, Adrian Joyce, Mattie Wilkes, Ruth Walker

A man takes the blame for a crime actually committed by his no-good but favored younger brother.  In order to save his mother further embarrassment he flees to Mexico, where he becomes a successful prizefighter.  He returns home a wealthy man, pays his brother’s debt and is reunited with his faithful fiancée.

This film marked the fiction film debut of ex-heavyweight boxing champion Jack Johnson, who appeared in person at the film’s opening in Harlem at the New Douglas Theater, of which he was said to be a partner, according to an unidentified news item in the George P. Johnson Collection in the UCLA Special Collections Library. The film was made at Cliffside, NJ, and at one point, a sheriff took possession of the negative for alleged non-payment of rent.

Source:  TCM; Photo of Jack Johnson Source:

Jack Johnson

Jack Johnson pic 1Jack Johnson, nicknamed “the Galveston Giant,” was the first African American world heavyweight boxing champion. John Arthur “Jack” Johnson was born on March 31, 1878, in Galveston, Texas. The son of ex-slaves and the third of nine children, Johnson possessed an air of confidence and drive to exceed beyond the impoverished life his parents had known. After a few years of school, Johnson went to work as a laborer to help support his family.

By the age of 16, Johnson was on his own, travelling to New York and later Boston before returning to his hometown. Johnson’s first fight came around this time. His opponent was a fellow longshoreman, and while the purse wasn’t much—just $1.50—Johnson jumped at the chance and won the fight. By the early 1900s, the 6’2″ Johnson, had made a name for himself in the black boxing circuit and had his sights set on the world heavyweight title, which was held by white boxer Jim Jeffries. But Jeffries refused to fight Johnson and he wasn’t alone for white boxers would not spar with their black counterparts.

Jack Johnson pic 2But Johnson’s talents and bravado were too hard to ignore. Finally, on December 26, 1908, the flamboyant Johnson, who often taunted his opponents as he beat them, got his shot at the title when champion Tommy Burns agreed to fight Johnson after promoters guaranteed him $30,000. The fight took place in Australia and lasted until the 14th round, when police stepped in and ended it. Johnson was named the winner. The victory came five years after Johnson had won the World Colored Heavyweight Championship.

From there, Johnson continued his calls for Jeffries to step into the ring with him. On July 4, 1910, Jeffries finally did. Dubbed the “Fight of the Century,” more than 22,000 eager fans turned out for the bout, held in Reno, Nevada. After 15 rounds, Johnson came away victorious, affirming his domain over boxing and further angering white boxing fans.

Jack Johnson pic 3For the fight, Johnson earned a purse of $117,000. After whipping Jeffries, Johnson didn’t fight for two years, but he made waves out of the ring. He married three white women and consorted with many others. Six months after the Jeffries fight, he married Etta Terry Duryea, a white divorced Brooklyn socialite whom it was alleged, he physically abused and who killed herself in a fit of depression.

It would be five years after fighting Jeffries before Johnson relinquished the heavyweight title, when he fell to Jess Willard in a 26-round bout in Havana, Cuba. “The Galveston Giant,” was among the greatest of heavyweights and had an astonishing career. The Ring Record Book lists his record as 79-8 with 46 knockouts, 12 draws and 14 no-decisions.

As Johnson became a bigger name in the sport of boxing, he also became a bigger target for a white America that longed to see him ruined. He had transformed himself from the docks of Galveston, Texas, into early 20th-century glitterati. He had his own jazz band, owned a Chicago nightclub, acted on stage and in movies (see filmography below), drove flashy sports cars, reputedly walked his pet leopard while sipping champagne, flaunted gold teeth that went with his gold-handled walking stick and boasted of his conquests of whites — both in and out of the ring. Johnson loved to brandish his wealth and his disdain for racial rules. Jack Johnson pic 4But trouble was always lurking. In 1912, he was convicted of violating the Mann Act for bringing his white girlfriend across state lines before their marriage. Sentenced to prison, he fled to Europe, remaining there as a fugitive for seven years. In Paris, he took on a series of matches against wrestlers and fought exhibitions in Buenos Aires for measly purses. Johnson returned to the United States in 1920 and ultimately served out his sentence.

If Johnson lived in the fast lane, he died there literally — in an automobile accident in Raleigh, N.C., on June 10, 1946. He was 68. Eight years later, he became a charter member of the Boxing Hall of Fame.

The play “The Great White Hope” and the subsequent film The Great White Hope (1970) are based on Johnson’s life and the brutal racism he faced as both the first African-American heavyweight boxing champion of the world and as a black man with a white wife.

The Black Thunderbolt (1922)
For His Mother’s Sake (1922)
As the World Rolls On (1921)

Sources: Biography,, IMDB.  Photo Source(s): Biography;;; 40acresandacubicle.

As The World Rolls On

a/k/a The Heart of Jack Johnson

as the world rolls on

Year of Release: 1921
Genre: Drama
Rating: N/A
Runtime:  Unknown
Black & White
Studio: Andlauer Production Company
Producer: Unknown
Director: Unknown

Jack Johnson (Himself)
Blanche Thompson (Molly Moran)
Reed Thomas (Joe Walker)
Walter Simpson (Tom Atkins)


Industrious Joe Walker competes for the hand of Molly Moran. Joe’s rival for Molly’s affection is the vicious bully and gang leader Tom Atkins, who enjoys beating up on the weaker, smaller Joe. One day, as Joe is going home from work, his route takes him through a park where Tom and his gang are waiting. Fortunately, former heavyweight champ, Jack Johnson, is also in the park. Hearing Joe’s cries for help, Johnson goes to his aid. After Jack has finished with them, the rowdies lay stretched out on the ground.

Johnson offers to train Joe, convincing him to give up cigarettes and teaching him “physical and breathing exercises.” Under Johnson’s instructions Joe becomes a healthy man and an athlete.

About this time the National Colored League baseball games are in progress at the ball park. In a game between the Kansas City Monarchs and the Detroit Stars (actual scenes) the captain of the Monarchs, sprains his arm and due to illness and injuries to his pitching staff, is in desperate need of a pitcher.  Knowing Joe’s ability as an amateur pitcher, he appeals to Joe to finish the game. Joe agrees, puts on a uniform, pitches a wonderful game and hits the winning home run in the ninth inning.

A few weeks later at the Clover Leaf Club’s annual masquerade ball, Tom, jealous because of the attention Joe is showing Molly, schemes to get Joe out of the way. He has Joe beaten up, but Molly overhears the plot, denounces Tom and rushes to Joe.

Tom, decides on another scheme, and frames Molly for robbery. His plan is successful and Molly is arrested. At the trial a small boy saves Molly from conviction by identifying Tom as the guilty one. Tom tries to escape from the courtroom, but Joe goes after him. Joe catches up with Tom and as a result of the training he received from Jack Johnson is able to beat Tom to the ground.

Later, Joe and Molly get married and go to Johnson’s home for his blessing. Johnson gives them a check for $1,000 as a nest egg. As the world rolls on, six years later Molly, Joe and their family live happily in a pleasant home.

The working title was The Heart of Jack Johnson.

A New York Times article reported that the film contained “footage of an all-black Kansas team in the background.”  As the World Rolls On featured footage of actual NNL games involving the Kansas City Monarchs, Detroit Stars, and Chicago American Giants. The games are integrated into the plot, and Negro league players, notably Sam Crawford, Bruce Petway, and Cristóbal Torriente, had roles in the film.

This film is believed to be lost.

Source(s):; TCM.

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